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How
Drawing Helps To Change Cities
Leading Architects and Engineers Draw
Together
Austin Williams, Benedict O'Looney,
Foster + Partners, Alan Davidson
30 August 2007: Some of London's
leading architectural and engineering firms
are joining forces to encourage people of
all ages to see the rapidly changing city
differently - through the medium of drawing.
Expert drawers from Future Systems, make,
Rogers Stirk Harbour + Partners, Expedition
and Foster + Partners are supporting
Changing Cities, a one-day event on 30 September
2007, part of The Big Draw East: Drawing
Things Together.
Drawing is a powerful but often neglected
tool, not only in professional training,
but also in our daily lives. Changing
Cities aims to reinforce drawing's role
in helping everyone to take a closer view
of the capital's multi-faceted cityscape
and to understand how drawing shapes our
world.
Among the experts giving advice and guidance
at a range of activities and workshops during
the day are Chris Wise, the engineer whose
original wine-bar doodle contributed to
the design of London's Millennium Bridge,
and Alistair Lenczner, an associate partner
of Foster + Partners and the engineer involved
with the Millau viaduct - the longest cable
bridge in the world.
Chris Wise, founder of Expedition Engineering,
said: "Even for a 21st century
engineer, doodling gives me design freedom
I can't get any other way. You can invent
anything you like and straightaway see if
it's beautiful. For me a concept doodle
is like a child - you have all sorts of
hope and expectations, and when it grows
up into a fully fledged project, it's amazing!"
The Big Draw East, a massive
free drawing event held at venues across
East London, is the national launch of The
Big Draw, a month-long celebration of
drawing throughout Britain, in which over
500,000 people are expected to take part
at 1,300 venues. Organised by the Campaign
for Drawing, full listings for Changing
Cities and all Big Draw events can be
found on its website: www.thecampaignfordrawing.org.
Changing Cities, Sunday 30 September
Starts at 10.30am at Bishopsgate
Institute, Bishops Square, One Bishops Square
and Christ Church Spitalfields. All events
are free and encourage participants to discover
the City's rich architectural past, present
and future, and to see London differently
through drawing. Visitors can sketch the
changing city skyline, draw amazing vistas
and doodle hidden details from a number
of vantage points, including a specially
equipped Routemaster bus.
Hammerson, the developer of Bishops Quarter,
is sponsoring the Changing Cities programme.
Highlights include:
Shape the Future - Zero Carbon Flying
Machines Shape the Future is a nationwide
competition to promote the importance of
drawing in engineering and designing for
sustainability. Chris Wise, founder of Expedition
Engineering, his colleague Ed McCann (TV
presenter of Engineering at the Cutting
Edge and Buildings of Britain) and young
members of their families will advise on
making and flying people-powered paper air-borne
objects of all kinds. Prizes will be awarded
to the best.
(10.30 - 5.00, York Hall, Old Ford Road,
E2 9PL)
Sketchathon 07
Artist Emma Smith leads a visual journey
through the City, with commentary on selected
buildings from other expert drawers at Bishops
Square (11.20am -12.15pm), Leadenhall Market
(12.15-1.15pm) and The Lloyd's Building
(1.30-2.30pm). By the end of the session,
participants will have created a fold-out
cityscape of one of London's most fascinating
areas, and will be invited back to Bishopsgate
Institute to discuss what they have seen
and drawn.
(11.00am - 3.00pm. Booking 020 7392 9200
or events@bishopsgate.org.uk)
Drawing Space - Talk
Alan Davidson, architect, artist and founder
of leading architectural illustration studio
Hayes Davidson, has worked with many internationally
renowned architectural practices. He will
give a unique insight into how architectural
drawing has helped to shape the thinking
behind great architecture and cities by
looking at the work of its most influential
exponents.
(3.30pm - 4.15pm, Bishopsgate Institute,
230 Bishopsgate, EC2M 4QH. Booking as above)
Easy Graphics: Condensing Complexity
Austin Williams's workshop uses sketches
and cartoons to interpret confusing instructions.
Help launch his Easy Graphics Campaign by
bringing ideas for things which need translation,
and creating a new generation of posters
and comics which simplify everyday regulations.
Sponsored by RIBA Bookshops and NBS
(2.30pm - 5.00pm, Bishopsgate Institute,
230 Bishopsgate, EC2M 4QH. Booking as above).
Take A View
Celebrate London's amazing architecture
- past, present and future - on a walk-and-draw
trail. Collect drawing materials from the
information point and visit drawing stations
in the immediate area. You will be in good
company, with architectural historian Benedict
O'Looney and expert drawers from leading
London practices and the Society of Architectural
Illustration. They are eager to reveal intriguing
details and vistas, and to offer advice
on drawing space and place.
(10.30am - 5.00pm, Bishops Square, off Brushfield
Street, E1 6EG)
Camera Obscura
Stepping into the booth reveals a world
where the commonplace becomes a spectacle.
A popular technology a hundred years ago,
the camera obscura remains a magical experience.
Willett and Patteson have toured theirs
across the UK, Japan and Australia.
(10.30am - 5.00pm, Bishops Square, off Brushfield
Street, E1 6EG )
Take a Closer View
Using special viewfinders, take a closer
look at the city and capture the character
of your amazing surroundings: buildings,
spaces and activities that happen behind
those walls and facades. Explore the city's
public face and its changing skyline with
architect and artist Narinder Sagoo, architect-engineer
Alistair Lenczner (both with Foster + Partners)
and Jerwood Drawing Prize-winner Jeanette
Barnes. Help expand the horizons of a collective
panoramic mural. (10.30am - 5.00pm, Allen
& Overy LLP, One Bishops Square, E1
6AO)
Drawing on your Senses
Explore new ways of drawing using all your
senses. Don't be limited to using hands
or responding to what you see with your
eyes. Join Epic Arts at Christ Church Spitalfields
for this fully inclusive art event.
(2.00pm - 5.30pm, Christ Church Spitalfields,
Commercial Street, E1 6LY)
The Changing Cities programme was devised
in collaboration with media partner Blueprint
and DRAWING AT WORK (www.drawingatwork.co.uk)
Lord Foster, Founder of Foster+Partners
and Patron of the Campaign for Drawing,
said: "Drawing is the root of every
concept and design. It is a fundamental
life skill. The Big Draw inspires people
of all ages to engage with the world we
inhabit and I hope that more people will
rediscover the immediacy of the medium they
relished as children."
Sue Grayson Ford MBE, Director, Campaign
for Drawing said: "The Big Draw's
popularity shows that not only is there
massive public interest in the subject,
but that drawing can create hugely enjoyable
social occasions for people of all ages
and abilities.
"The Big Draw offers a chance to lose
yourself in the sheer fascination of drawing
and discover how it can benefit your life,
no matter what you do! This year there are
also amazing themes to explore - from understanding
evolution to shaping the future."
END
Press Information:
Kallaway
www.kallaway.co.uk
Will Kallaway
020 7221 7883
will.kallaway@kallaway.co.uk
Jo Williamson
020 7221 7883
jo.williamson@kallaway.co.uk
About The Big Draw
The Big Draw is the UK's biggest annual
free celebration of visual art, with 1,000
events and over 500,000 participants. In
last year's national Big Draw launch, 7000
participants celebrated the Amazing Spaces
of Somerset House and King's College London
with a packed programme of activities -
from making watercolours of the fountains
to knitting a giant London Townhouse.
About the Campaign For Drawing
The Campaign for Drawing has a simple aim:
to get everyone drawing. The Big Draw, its
annual October showpiece, proves that drawing
can be a public activity as well as a private
passion. The Campaign was inspired by the
great Victorian writer and visionary, John
Ruskin. His mission was not to teach people
to draw, but how to see. Each Big Draw season
brings fresh opportunities to discover how
drawing can connect us to our environment
and heritage.
The Campaign's education programme turns
its research findings into practical guidance
in a series of books, DVDs and other resources.
These show how learning through drawing
can take place in schools, museums, galleries
and heritage sites. Its new Professional
Development Programme will be designed
to change attitudes to drawing and the way
it is used. This will share the knowledge
gained over the last six years with teachers
and other educators, artists, designers,
scientists, technologists and more. The
Campaign for Drawing is supported by Arts
Council England, the Esmée Fairbairn
Foundation, the Worshipful Company of Painter-Stainers
and Foster+Partners.
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