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Luminaries
& Visionaries
Works in projected vision,
light and illusion
18th January - 11th March
2007: The third major exhibition at the
Kinetica Museum, Old Spitalfields Market
will feature:
A skeletal electroluminescent chaise-longue
by Sam Buxton

Malleable ultra violet image machines by
Random International

Matrixial light emitting diode 'motion and
rest' works by Jim Campbell

Projected neon dancers and experiments in
light by Christian Schiess

3-D helixical dreamscape machines by Gregory
Barsamian

Illuminated
speaking heads by Dianne Harris

Kinetic
light photographs by Rob and Nick Carter

Luminous
ladders and lightworks by Martin Richman

Illusory
motor disques by Peter Sedgley
***Please RSVP if you would like to attend
the press preview on Wednesday 17th January
from 3.30pm - 6pm and/or the private view
from 6.30pm - 9pm that evening***
The visually incredible 'Luminaries and
Visionaries' will showcase the work of nine
leading international artists working in
the fields of projected light, vision and
illusion.
From Gregory Barsamian's three-dimensional
animated dream sculpture to Jim Campbell's
custom LED matrix works which explore notions
of time and memory, this exhibition highlights
artists using technology to challenge the
boundaries between fine art and multi-disciplinary
new media.
The exhibition takes place alongside a series
of public talks and workshops by kinetic
and pioneering artists. Occurring every
Wednesday at 6pm, these illuminating talks
support the exhibition and provide the public
with an unparalleled insight into this innovative
area.
Visitors to 'Luminaries and Visionaries'
will witness:
- a skeletal chaise longue by Sam Buxton
made using 'electroluminescence', a technology
originally developed for Aerospace, military
and medical applications;
- experimental films by American light
artist Christian Schiess who utilises
neon suits and wands to flood the visual
senses with pure volumes of light;
- Peter Sedgley's 'Video Disques', which
combine screenprinted aluminium discs,
a turntable and ultraviolet light to create
a kinetic effect influenced by the colour
theories of Goethe and Klee;
- the luminous ladders and lightworks
of Martin Richman, inspired by skyrise
towers at night.
Press Preview: 3.30pm until 6.00pm,
Wednesday 17th January 2007.
Dianne Harris, Kinetica's Art Director will
lead a press tour around the exhibition
at 5.30pm.
About Kinetica
Kinetica, the UK's first museum dedicated
to kinetic, electronic and experimental
art, is situated within a new building over
two floors in Old Spitalfields Market, East
London. This building was provided through
generous sponsorship from Ballymore properties
Ltd. The project was brokered by FutureCityArts
and has attracted a major award from Arts
council England.
| Admission |
FREE |
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| Address |
Kinetica, SP2 Pavilion,
Old Spitalfields Market, E1 6AA |
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| Nearest Tube |
Liverpool St / Aldgate
East |
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| Public enquiries |
0207 684 1261 |
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| Website |
www.kinetica-museum.org
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| Opening
hours |
Monday/Tuesday - CLOSED
Wednesday - Sunday: 11am to 6pm |
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Future
Exhibitions |
Jim Bond / Ray Lee: 15th
March - 30th March
Cabaret mechanical Theatre/Ride of Life:
5th April - 6th May |
For further press information and materials,
please contact Seb Emina or Fiona Wootton
at Seb & Fiona: firstname@sebandfiona.com
or 020 7377 9868/9892
END
NOTES TO EDITORS
Kinetica Biographies:
Dianne Harris, Art Director, has
worked within the applied arts for the past
15 years and has exhibited extensively in
America, North Africa, Europe and England.
She was founder, curator and director of
the Luminaries kinetic and interactive gallery
in London from 2003-4. Dianne will source
and curate the revolving collection for
Kinetica and will be instrumental in inviting
key workshop leaders, artists, curators,
scientists, musicians, authors and philosophers
to run programmes, forums and special exhibitions.
Tony Langford, Operations and Managing
Director, has been involved in the research
and application of audiovisual and interactive
media for more than 10 years. He has organised
and run events with a focus on providing
stimulating and interactive audiovisual
experiences for visitors. Most recently
he managed visual campaigns and events (outdoor,
audiovisual and online) for an independent
record label.
Charlotte Dillon, Commercial Director,
has been setting up and developing creative
businesses for the last 10 years from fashion
houses in Milan to corporate entertainment
companies in F1 and now oversees the business
development and management of Kinetica.
Flora Fairbairn, Consultant, will
source artists and collaborators for Kinetica.
Amongst other projects she was London Director
of Scope London 2004 and curated 'Young
Masters' in collaboration with Art Fortnight
in 2005. Flora is an art consultant and
director of the recently opened Madder Rose
Gallery.
Arts Council England
Arts Council England works to get more art
to more people in more places. They develop
and promote the arts across England, acting
as an independent body at arm's length from
government. Between 2006 and 2008, they
will invest £1.1 billion of public
money from government and the National Lottery
in supporting the arts. This is the bedrock
of support for the arts in England and they
believe that the arts have the power to
change lives and communities, and to create
opportunities for people throughout the
country.
Old Spitalfields Market
Old Spitalfields Market, or simply 'Spitalfields'
as it is fondly known, is a world-famous
East London destination. Standing on the
fault line between pinstripe Liverpool Street,
bohemian Brick Lane and Banglatown the market
is at the heart of the East End. Home to
a one off community of independent shops,
stall holders and businesses it has secured
its place at the forefront of interiors,
design, fashion, food and the arts. It has
been the site of a market since 1682 and
the current building was opened in 1887.
The local creative community features a
rich tapestry of artists, writers and designers
including Tracey Emin, Jeanette Winterson,
Chris Ofili, Gilbert & George - and
their onetime apprentices the Chapman Brothers.
The area has the highest density of artists
in Europe.
SPONSORS
Ballymore Properties
The principal sponsor of Kinetica is Ballymore
Properties Ltd (www.ballymore.co.uk), an
Irish based international property development
company, focused on financing and constructing
large-scale projects throughout Europe.
Ballymore recognises the importance of applying
good architecture and design, innovation
and sustainability in its properties. Ballymore
also understands the increasing importance
of culture as part of a successful place-making
strategy.
In its Old Spitalfields Market development
Ballymore recognises the value of this unique
architectural history and its position as
a dynamic cultural hub at the heart of a
neighbourhood that is both historic and
trendsetting. The Market and its environs
represent an urban hub of innovation and
creativity, responsible for drawing tens
of thousands of domestic and international
visitors to Spitalfield's unique and eclectic
mix of traders, retailers and catering.
In support of the cultural diversity of
the area, Ballymore has funded and supported
a coordinated programme of sponsorships
in the Spitalfields area including the Brick
Lane Festival, a contribution to the Spitalfields
Music Festival and its biggest cultural
commitment to date, the Kinetica sponsorship.
Their support for this ambitious project,
allied to the artistic merits of Kinetica,
has been recognized by Arts Council England
through a major award, confirming Ballymore's
decision to bring this unique organisation
to Old Spitalfields Market.
Futurecity Arts: a network of expertise
Set up in 2000, Futurecity Arts has developed
a specialist arts-led model of creative
industry regeneration; our innovative approach
has attracted attention from the property
sector, which forms over 80% of our client
base. As a result our cultural strategy
work Futurecity Arts has secured £8,000,000
of private sector funding for the arts over
the past 5 years.
We have developed innovative working relationships
with the private sector and as a result
the agency has become uniquely successful
at involving a new audience in the wider
context of contemporary culture. Many of
our projects have substantial educational
and community projects built into the proposals
Futurecity Arts' strength lies in its proven
track record and close collaboration with
artists, design teams, developers, and researchers,
planning departments, education authorities,
local communities and regeneration experts.
We have a substantial archive/library of
artists from around the world and our project
managers cover a range of art forms and
innovation, from new media to the physical/made
form.
Our cultural strategies have led to a continuous
series of public art initiatives including
a new bridge commission in London for Thomas
Heatherwick and a new technology project
in Brussels for Langlands & Bell. Recent
projects include the creation of contemporary
art gallery sponsorships for the Royal Academy
of Arts, the Chelsea School of Art Alumni
and a new museum for kinetic art at Old
Spitalfields Market.
The range and breadth of our cultural work
has helped to forge an extensive network
of contacts in the art world from cultural
organisations to galleries, policymakers,
artists and informed individuals.
Kinetica's other sponsors include:
Manches LLP: http://www.manches.com

Hoxton Hotel: http://www.hoxtonhotels.com

Radica (UK) Ltd: ttp://www.radicauk.com

Pulse Marketing: http://www.pulsemarketing.org/site

DTS Digital Entertainment: http://www.dtsonline.com

Yamaha: http://www.yamaha-europe.com/yamaha_europe/index.aspl
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