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RANDOM WINNER
FOR UK'S ONLY PRIZE FOR STAGE DESIGN
Winner of the Linbury Biennial Prize
for Stage Design announced
17 November, 2005, London: Patrick
Burnier has won the Linbury Biennial Prize
for Stage Design 2005, it was announced
last night at the National Theatre.
His designs for Origin, a forthcoming
production for Random Dance won him the
prize, following a UK-wide competition to
discover the most exciting young stage design
talent.
Stage designer Stefanos Lazaridis presented
the prize in front of a 200 strong audience
which included Nicholas Hytner, Artistic
Director of the National Theatre, Tony Hall,
Chief Executive of the Royal Opera House,
Monica Mason, Director of the Royal Ballet
and David Lan, Artistic Director of Young
Vic, as well as other VIP guests including
Donald Sinden and Wayne Sleep.
Stefanos Lazaridis, said: "Patrick
Burnier- a real winner. Thanks to the Linbury
prize, new exciting talent is being discovered.
The next generation of British theatre designers
is in safe hands."
In total four Linbury winners were announced.
These were:
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Patrick Burnier (Overall
Winner) Origin with Random
Dance |
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Phil Brunner All
Quiet on the Western Front at Nottingham
Playhouse |
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Hannah Clarke The
Emperor Jones at the Gate Theatre |
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James Cotterill
Not the End of the World at Bristol
Old Vic |
The four winners will share around £50,000
in prize money and design commissions. Designs
and models by the four winners and the eight
finalists can be seen at:
Linbury Biennial Prize for Stage Design
Exhibition
Until 10 December 2005
Lyttleton Circle Foyer
National Theatre SE1
Opening Hours: 1000hrs - 2300hrs. Closed
Sundays.
Admission free
www.linburybiennial.org.uk
The Linbury Biennial, founded in 1987 by
Anya Sainsbury, is the only prize of its
kind in the UK. It gives recently graduated
stage designers an unparalleled opportunity
to work with professional theatre companies
and collaborate with writers, directors
and technical teams. The Linbury Biennial
has launched the careers of many well-known
stage designers. These include Tim Hatley,
winner of an Olivier award for Humble
Boy and a Tony for Private Lives;
Anthony Ward, designer for Chitty
Chitty Bang Bang and Mary Stuart;
Vicki Mortimer, designer for Closer
and Jumpers at the National Theatre
and Adam Wiltshire, whose designs
will be used by choreographer Alastair Marriott
on the main stage at the Royal Opera House
from 28 November.
END
Further Information
A dedicated online media resource supports
the 2005 Linbury Biennial Prize for Stage
Design. It contains full information about
the Linbury Biennial and the competition.
All press releases are made available on the
site along with high-resolution pictures for
download.
View the site at: http://www.kallaway.co.uk/linbury.htm
High-resolution Pictures
Pictures of the winners and work from the
Linbury Biennial exhibition will be available
from http://www.kallaway.co.uk/linbury_2005_comp_winners.htm
on Thursday 17 November or on request from
Anna Cusden before this date. Pictures of
the 12 finalists and the four artistic directors,
set designs and commissioning company productions
from the 2003 Linbury Biennial Prize for
Stage Design can also be downloaded for
your use.
View and download images: http://www.kallaway.co.uk/linbury_picture_library.htm
Linbury Biennial Press And Competition
Information
Anna Cusden (media) anna.cusden@kallaway.co.uk020
7221 7883
David Nagle (competition) david.nagle@kallaway.co.uk020
7221 7883
Notes To Editors
The Linbury Biennial Prize for Stage Design
was founded by Anya Sainsbury in 1987. The
prize is open to recent graduates from theatre
design courses across the country, many
of whom are originally from outside the
UK. Twelve finalists get the chance to work
with four professional performing arts production
companies and exhibit their work at the
National Theatre. Four of the 12 win a commission
to realise their designs with the commissioning
companies and one designer is awarded the
overall winner's title. The Linbury Biennial
Prize for Stage Design is sponsored by the
Linbury Trust, one of the Sainsbury Family
Charitable Trusts.
Patrick Burnier
Patrick studied in Switzerland and France
before completing a postgraduate theatre
design course at the Motley Theatre Design
Course in 2004. His designs have previously
been used for The Balcony at Théâtre
de l'Athénée in Paris by director
Sebastien Rajon and Night Just Before
The Forests at the Arcola Theatre in
London by director Serdar Bills.
Origin by Random Dance
Resident company at Sadler's Wells, Random
Dance has become a creative frontrunner
on the British and international dance scene,
renowned the world over for its extraordinary
innovations in dance. Working in collaboration
with Artistic Director Wayne McGregor and
Lighting Designer Lucy Carter, Patrick Burnier
has produced designs for Origin,
a new professional full-length dance work
for young people that will build on the
success of previous shows for children by
McGregor. The work will focus on giving
young people the opportunity to engage with
high quality, multi-disciplinary, non-literal
dance for which Random has gained an international
reputation, and as a result will enable
young people to access curricular subjects
through the creativity of dance.
Lady Anya Sainsbury CBE, Chair of the
Linbury Biennial Committee.
After a distinguished career as Anya Linden
with the Royal Ballet Company from 1951
to 1965, becoming a ballerina in 1958, she
retired from the company and went on to
study stage design at the Slade School of
Art. She married John Sainsbury in 1963
and has continued to be actively involved
in the Royal Ballet School and the Rambert
School, both as a teacher and on their governing
bodies.
About the Linbury Trust
The Linbury Trust is a charitable trust;
it was established by Lord Sainsbury of
Preston Candover KG, and his wife Anya,
Lady Sainsbury, CBE. The trustees of the
Linbury Trust make grants to organisations
and towards causes across a broad range
of categories, including the Arts and Art
Education, Social Welfare, Education, Environment
and Heritage, Older People, Medical, and
Developing Countries. Trustees give priority
to causes in which they have a particular
interest and where they have particular
knowledge and experience, as exemplified
by their support for the Linbury Biennial
Prize for Stage Design
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